Sunday, February 10, 2013

Padre Domenico da Cese mysteriously present at the funeral procession of Padre Pio - YouTube

Padre Domenico da Cese mysteriously present at the funeral procession of Padre Pio - YouTube

Above is a link to the video clip of Padre Domenico, noted by Antonio Bini in his article in the previous post, February 6, 2013, of this blog. The video clip is taken from a documentary on the life of Padre Pio,a film by Nicola Vicenti "Padre Pio: La Storia di un santo” (The Story of a saint), which aired on June 11, 2010 on the television network RAI 3


which shows Padre Domenico (at the bottom left of the still image from the videoclip) at the funeral procession of Padre Pio despite so many who knew the Guardian of the Shrine of the Holy Face of Manoppello very well, and claim that he couldn't have been there (except by bilocation). The voice over the video clip is quoting, in Italian, Pope Paul VI's solemn words of praise of Padre Pio, which could easily also apply to Padre Domenico.

Mary O'Regan's blog "The Path Less Taken" in a posting of June 26, 2011 has the translation of Pope Paul VI's words which are on the video clip describing Padre Pio starting with, "because he had resources at his disposal?"

The Path Less Taken: Paul VI said of Padre Pio that he “bore the wounds of our Lord”



Wednesday, February 6, 2013

Padre Pio of Pietrelcina and Padre Domenico of the Holy Face

Padre Pio of Pietrelcina and the Phenomena of Bilocation Related to his Death. The Parallel Lives of Padre Pio and Padre Domenico of the Holy Face


Padre Domenico captured on film at the funeral procession for Padre Pio while still remaining at Manoppello



by Antonio Bini -- translated by Raymond Frost

The life of Padre Pio of Pietrelcina, marked by so many extraordinary episodes, attracted masses of devotees, from Italy and abroad, to the shrine of the Capuchins of San Giovanni Rotondo. I had the privilege of being baptized by him on January 6, 1952. Padre Pio -- it's hard for me to call him anything else even though he has been declared a saint-- also married my parents 28 October 1950, at 5 am as documents show, to avoid the crowds of pilgrims who from the early hours of the day were waiting to meet him or even just to see him. Only after the death of my parents did I gradually discover the value of that gift which I had kept hidden until a few years ago maybe even from myself. In those days my father did not own a car but had hired one to reach San Giovanni Rotondo from Abruzzo. There was no autostrada yet and the journey required quite a few hours due to the poor condition of the roads. But such difficulties were nothing compared to the challenges which were overcome to obtain the availability of the holy Capuchin.


Padre Pio celebrates the matrimony of Fernanda and Vitantonio Bini, San Giovanni Rotondo October 28, 1950

I remember the strong charisma of Padre Pio, the presence of so many pilgrims waiting for hours for him to appear from one of the two lateral openings at the altar of the old church which was connected to the convent -- and then the lines at his confessional. Even children remained rapt and silent, almost afraid of his presence. The last time I saw him, a few months before his death, he followed the Mass from above the new church and was visibly suffering. So many were there sharing in the concern for his health.

Yet only six years earlier he had been the subject of persecutory measures restricting his priestly action, which were the result of doubts, suspicions and rumors that discredited his work.
As time went on, I was able to become aware of what had happened, especially due to the reappearance of eye witness testimony, such as that of the then provincial minister Padre Amedeo from San Giovanni Rotondo, dear friend of my father, who was also caught up in the Vatican decisions, which led to his removal from office and to his exile to Campobasso, outside the territorial region. In a letter of his from March 1961 one can grasp the profound bitterness from the lies and slanders he suffered which the press reported in news stories as if they were true.

These are painful facts that still today ought to make us reflect on how religious communities can also become places where human weaknesses are certainly not foreign, breeding negativity such as envy, slander, greed and dishonesty, even at the expense of brethren who, without bombast, have dedicated their lives to others and are examples of sacrifice and selflessness. Only the direct intervention of Pope John Paul II would unblock, years later, the process for the beatification of Padre Pio. This process had virtually stood still due to these old persecutions, despite the veneration of the crowds, the documented miracles and the increasingly popular cult dedicated to the Capuchin stigmatist.


Some years later, I “rediscovered” Padre Pio while coming to learn more about the Holy Face. When in December 1998, as manager of a communication project for the Jubilee of 2000, I was called to attend a conference on this singular image of Christ, I did not yet know much about it because, even though having heard about it, I did not think it particularly interesting in as much as publications and guides, when they referred to it at all, classified it as if it were a normal painting.

On this occasion I listened with interest to the report of Father Heinrich Pfeiffer, professor of Christian art at the Gregorian University in Rome, who after years of study outlined his hypothesis regarding the veil, which he considered the true face of Christ, the Veronica (vera icon). A few days later I returned to the Shrine of Manoppello to gather what had been written on the Holy Face, wanting to study in depth the history of the veil. The then Father Guardian, Padre Germano, told me I could take all of the duplicate copies of the magazines and publications from the archives. Among the documentation which I had excluded was testimony on the life of a member of the Capuchin monastery – Padre Domenico da Cese – who had died on September 17, 1978 as a result of a traffic accident in Turin, where he had gone to visit the Shroud. Nevertheless I found this testimony among the papers at hand when I returned home.

I got to know the close spiritual relationship between Padre Pio and Padre Domenico. They had met in 1940, in San Giovanni Rotondo, when the Capuchin from Abruzzo was on leave from his duties as military chaplain in Albania during the Second World War. From that time on, the life of Fr. Domenico became in fact parallel to that of Padre Pio, even in the stigmata.

Padre Domenico, born March 27, 1905 at Cese, near to Avezzano, had a childhood marked by singular events, such as his prediction of the earthquake that devastated Abruzzo January 13, 1915, with thirty thousand dead. He himself had been saved by a man whose face he recognized many years later in Manoppello. It was the Holy Face. But other testimony emerged regarding the case of the bilocation of Padre Pio before the relic of Manoppello, September 22, 1968, at the dawn of the last day of his earthly life. It would have been the same Padre Domenico, having opened early in the morning the doors of the church to meet the famous Capuchin in prayer in the choir behind the altar, whose suffering was addressed to Jesus "I’m coming to the end. Pray for me. See you in heaven." It was the same Padre Domenico who related how years prior while telling Padre Pio of his encounter with the Holy Face the saint of Pietrelcina had observed: "It’s the greatest miracle that we have."
The testimonies and rumors regarding the episode were confirmed to me with ease and simplicity by Brother Vincenzo D'Elpidio, for years his devoted friend, still sought by many people connected to Padre Domenico, many of whom have testified- through a recent book - their memories and the experiences of faith, which give rise to stories of ordinary and extraordinary humanity, an expression not only of the widespread rural culture of Italy from the nineteen-fifties to the nineteen-seventies, but also of the world of business and professionals and of many religious men and women as well, all united by the search for encouragement and hope that the Capuchin with the powerful physical appearance and bushy white beard was able to provide. There were so many people who turned to him, including those sent by Padre Pio himself, also "to save them the trip to San Giovanni Rotondo." Another Capuchin, Padre Guglielmo Alimonti, a disciple of Padre Pio and known for founding more than 400 Padre Pio prayer groups, writes Padre Domenico was “a worthy son of St. Francis and a holy priest," declaring that he intended to abstain from testifying of "the charismatic signs, which were under the eyes of all and yet caused him suffering and humiliation." Also in the testimony of another Capuchin, Padre Leone Campana, one speaks of a friar gossiped about by some of the Capuchins, even though he was widely regarded as an exemplary religious, if not also a saint.

Padre Domenico experienced sufferings and humiliations as did Padre Pio, even if they did not reach the levels of persecution by the Holy Office and did not rouse the attention of the media. Also in the case of Padre Dominic, suspicions were aroused among some envious brothers due to the constant influx of pilgrims directed solely to the patient Capuchin, who heard confessions tirelessly from morning to night, who comforted and strengthened in the faith so many people in need of a word of encouragement and hope, who received and wrote every day dozens of letters to those who sought his help. He presented their request for prayer to the prodigious Holy Face. And there are many to tell of his fervor to convey the uniqueness of that image. For many he was simply "Padre Domenico of the Holy Face.”

The published collection of testimony begins with the prayer for the beatification of Padre Domenico Cese written by the bishop of Sora, Luca Brandolini who with deep devotion writes "the humble Capuchin who had the privilege of sharing visibly the passion of Jesus and the gift of being able to read the depths of souls to alleviate their pain and reconcile them with God." The prayer is dated February 18, 2006.
In August 2012, the name of Fr. Domenico was listed among the "venerable and / or ‘servants of God’” in the book “Sulle Orme dei santi: Santorale cappuccino” (In the footsteps of the saints: the Capuchin list of saints), published in San Giovanni Rotondo, with a foreword by the Minister General OFM Cap. Mauro Johri. But this is only a bitter error, as the process for beatification is not active yet, despite the relevant documentation gathered about the extraordinary life of this humble Capuchin lover of the Holy Face.

Padre Domenico was a simple friar not a scholar. In a book by Enrico Sammarco, entitled "Ricordando il Volto Santo” (Remembering the Holy Face), ed. Porziuncula, Assisi, 1972, the author describes the Capuchin’s homily highlighting the emphasis with which he would recall "over and over again the listeners' attention to the Holy Face." In a later passage Sammarco then speaks of the debate which had begun regarding the Holy Face stating that the arguments of Padre Domenico were based on "only pious speculation," while the author’s rationalist approach "took its cues from historical realities."
Sammarco, having overcome the initial uncertainties, confesses to having been conquered by the Holy Face, which he called a "living miracle". His essay is also interesting because for the first time there is revealed a field of conflict and controversy on the part of sindonologists- Sammarco was among the first of these to know and study the Holy Face – in relation to the relic of Manoppello. These positions, which with the wider diffusion of knowledge of the Holy Face would become increasingly difficult, were evidently known to Padre Domenico, who wanted to go to Turin for the scheduled exposition of the Shroud from August 27 to October 8, 1978. And it was precisely in Turin that Padre Domenico met his death on September 17 as a result of a traffic accident, which according to the testimony of a Roman priest, Don Aldo Bollini, he had predicted, down to the date.
In this context the statement given by Mr. Francesco Chionni of Rieti, who had driven the Capuchin in his own automobile to Turin, gives us much food for thought.
Chionni, now deceased, was there to assist Padre Domenico in his last hours of life. He wrote that the friar, lying sick on his hospital bed, forgave and comforted the young man who had struck him with his car and offered "this sacrifice for the Shroud of Turin". It is suprising how he thought to be responsible for this extreme act of love in return for that kind of exclusion which even then was being perpetrated by the vast array of sindonologists against the Holy Face of which he was the humble and tenacious defender in the small sanctuary at the foot of Maiella, at that time almost unknown.
In the light of what has happened in the extraordinary diffusion of knowledge of the Holy Face in the last 10-15 years, and after the pilgrimage to Manoppello made by Benedict XVI that sacrifice should make us think even today of those who, unfortunately also among religious men and women, take positions that sometimes go beyond simple criticism of those who believe and study the Holy Face (and therefore of the Holy Face itself), an extraordinary phenomenon just as is the Shroud, representing together different aspects of a single reality.
In June 2011, the magazine Il Volto Santo di Manoppello describes in an article of mine the meeting in Manoppello attended by about two hundred devotees of Padre Domenico to start the investigation for the diocesan process for the beatification of the Capuchin, inviting all those who could not be present at the meeting to send their testimonies, letters and documents.
Among the people who responded to the invitation, Mr. Francesco Bernardino Farchioni, resident in Rieti, related on August 29, 2011 an unusual episode which occurred during the funeral of Padre Pio. Mr. Farchioni on the day of the funeral had come with his friend Francesco Chionni to Manoppello and the two of them were about to leave for S. Giovanni Rotondo together with Padre Domenico, who did not accept their invitation. At that point Farchioni and his friend Francesco Chionni gave up the idea of continuing their journey, staying in Manoppello. A few weeks later the two friends returned to visit Padre Domenico. During their stay, several busloads of pilgrims arrived. Some women came to Padre Domenico, who was chatting with the two young men from Rieti in front of the sanctuary, to ask him why he had not responded to their greeting when he attended the funeral of Padre Pio. Padre Domenico said at that time he had to excuse himself to hear some confessions and bless the groups of pilgrims and to the young men he said he would have to leave for the usual rituals, confessions and blessing of the pilgrims. Upon his return, Mr. Farchioni asked, "Padre Domenico, but the day of the funeral we were here. Now you have to explain this to me. “The Capuchin was silent. Upon further insistence, Padre Domenico replied evasively, "Francesco, you want to know so very many things." Farchioni refrained from trying to get to the bottom of the question, also at the suggestion of his friend Chionni who, ten years after that, accompanied Padre Domenico on the tragic pilgrimage to the Shroud of Turin.
This testimony could certainly be classified among the many unusual episodes that are ascribed to the life of Padre Domenico. Then in the past few weeks I heard rumors on the fact that Padre Domenico would have been seen and recognized in a recent documentary film on the life of Padre Pio.
Thanks to Padre Domenico's niece Caterina and her husband I managed to obtain excerpts of a video. But the quality was very poor and I did not have certain elements regarding the television network, the title of the same, the director, etc. After much research, I managed to learn that this is a documentary film by Nicola Vicenti "Padre Pio: La Storia di un santo” (The Story of a saint), which aired on June 11, 2010 on the television network RAI 3. The documentary is the result of an extraordinary work of research and gathering of documentary materials, photographic and videographic, coming from various archives and collections.
The viewing of the individual sequences of images allows one to confirm the presence of the Capuchin in the funeral procession, as it moves slowly from the Sanctuary to the town center, between two rows of huge crowds, with over one hundred thousand people coming from all over Italy and also abroad to San Giovanni Rotondo. A few still shots of film taken by the Luce Institute the are sufficient to capture the Capuchin, who follows the procession with great attention, almost surrounded by the Carabinieri, while in a later sequence, you can see the same friar just as he is leaving the procession of the Capuchins.




I had already taken the testimony of the Capuchin’s niece, Caterina Petracca, who had a constant interest in her uncle, who confirmed that it was Padre Domenico, "who should not have been found at San Giovanni Rotondo."
But I felt it necessary to have other confirmation from other people who knew Padre Domenico very well. Especially significant in my opinion is the testimony of the photographer Gianni Cati, who was associated for a long time with the Sanctuary and with Padre Domenico for years, and who started in 1965 to document the Holy Face, even in an exhibition held in Pescara in September 1977 on the occasion of the Eucharistic Congress, which was attended by Pope Paul VI. Without stating the reason for the request, I met the former photographer on February 1, 2013. At the appearance of the images of the funeral procession of Padre Pio he immediately and without hesitation said that it was Padre Domenico. Yet the Capuchin had not moved from Manoppello, while living deeply the painful end of the human story of the beloved Padre Pio, with whom he had lived in communion his priestly life. After further research I was able to ascertain that the only surviving member of the community of Capuchins who was in Manoppello in September 1968, Padre Enrico Carusi, is now part of the friary of Our Lady of the Seven Sorrows of Pescara.
The day of January 13, 2013 I was finally able to meet Padre Enrico. Despite his advanced age and health problems, the Capuchin remembers the time he was guardian of the community, denying that Father Dominic had traveled to San Giovanni Rotondo to attend the funeral of Padre Pio. He stated, however, that the funeral was attended by another Capuchin belonging to the fraternity of Manoppello, Padre Constantino Puglielli, who as pastor of the parish of San Callisto in the nearby village of Ripa Corbaria organized the pilgrimage of a group of parishioners.
The magazine of Il Volto Santo(no. 2/1968), released in December, reported an article on the death of Padre Pio without any reference to the participation of the sanctuary, or simply to Padre Domenico at the funeral of the saint of Pietrelcina.
My thoughts turn finally to September a decade later, at the funeral of Padre Domenico, which took place in his sanctuary and was celebrated by the Bishop of Chieti together with sixty priests, in the presence of so many devotees and spiritual children. On that occasion the then Superior of the Sanctuary, Padre Luciano Antonelli, expressing "dismay, anguish and bewilderment", for the sudden loss pointed to “those secret reflections of the signs of providence, which we are not always willing to recognize and understand," alluding to dimensions of human life and of faith which are not always explained by the usual parameters that are used to measure our everyday life.
By means of testimonies, confirmations and documents I have limited myself to investigate and reconstruct the phenomena of bilocation of Padre Pio before the Holy Face at the end of his earthly life as well as that of his brother Padre Domenico da Cese in San Giovanni Rotondo which I have described leaving the interpretation of these episodes to the sensibilities of the individual readers.



ex voto “for graces received”, that is found at the chapel of the cemetery of the little town of Cese where Padre Domenico is buried. (Apparition of Padre Domenico among the angels). On the painting is written “the holy Friar Domenico da Cese appeared to Budano Lelia in this way with the angels - 28-5-1994.

Thursday, January 31, 2013

Pray the Rosary with Pilgrims at St. Peter's Basilica in Rome Every Day.

Home  click on the link to the left for "A Moment with Mary: The Holy Rosary Said Live from St. Peter's Square Rome". This is a beautiful opportunity in the Year of Faith to unite with people throughout the world centering on the place of unity in the faith, in union with Mary, praying the Rosary live with them for so many intentions needed.  The Rosary is prayed at 4pm each day, Monday through Friday, Rome time, which at this time of the year is 7am on the West Coast and 10am on the East Coast.  Or there is an archive of past rosaries which can be accessed.

Tuesday, January 15, 2013

Let Me See Your Face O Lord.



Dozens of times in the Psalms the psalmist cries out, "Let me see your face, O Lord." - Throughout the liturgy of the Church, in the Holy Sacrifice of the Mass and in the Liturgy of the Hours this cry resounds. Jesus Himself showed His face to the people who lived in Palestine in the first century when He walked the earth, as an answer to the Psalmist. He desired to leave an image of His face on the burial facecloth as a mark of the resurrection left behind in the tomb (John 20:8) when He returned to heaven so that the people of God would have in very truth the ability to see His face.


The production of icons throughout the ages, copies of the Holy Face, have made it possible for all to see the Face of Jesus, the Face of God. Great works of art in the Renaissance period were devoted to the Face of Jesus. In Rome for centuries the original Holy Face from the facecloth left in the tomb (the Veronica) was displayed for thousands and thousands to see. When the Veronica was transferred to Manoppello in a mysterious way the desire of the Christian people to see the Face of God continued as strong as ever, even though the original Holy Face was no longer in view as before. The Stations of the Cross and the devotion to the Holy Face continued to remain strong in the people of God.




Monday, December 17, 2012

Veronica Route - A World Project for the Year of Faith

A grand map on the internet of the representations of the Veronica.  Plans also for an exhibit on "The Rediscovered Face"

by Antonio Bini

A unique initiative, significant for the Year of Faith being celebrated from October 2012 to November 2013, was launched some months ago by Raffaella Zardoni, an illustrator from Milan, who came to learn about the Holy Face of Manoppello in 2010 during the exhibition of the Holy Shroud in Turin.

Her personal experience of the Holy Face of Manoppello and the hypothesis of the identification of the extraordinary image with the Veronica has brought her to imagine the creation of an exhibit which will be the fruit of a very wide searching out of the representations of the Veronica made during the years 1200 to 1600.  The exhibit will be on display during next year's Meeting (August 18-24, 2013) the annual   gathering  held each year in Rimini.

At this time it is interesting to note that Zardoni has been progressively expanding her archive of images which come from throughout the world and are to be seen on her blog 
http://raffandcompany.wordpress.com/category/veronica/

The ambitious objective of realizing a kind of planetary map -- called in fact Veronica Route -- has been taking shape in a surprising way with the power offered for collaborative effort by the internet's social media network.  As I am writing there are a total of  around 600 images which have been gathered between Veronica Route and Veronica Book, with the initial nucleus taken from the book by the scholar Karl Pearson (Die Fronica, 1887)

The project aims to demonstrate the immense diffusion of these images which permits the rediscovery of how much the Roman Veronica was known and venerated in the past, a subject -- writes Zardoni -- which although it has been almost entirely ignored by the field of art history has had and continues to have significant spiritual, cultural and historical meaning in addition to its artistic importance.




closeup of a portion of a fresco by Tiberio da Assisi showing pilgrims with the Veronica badge on their caps in Assisi listening to St. Francis


fresco by Tiberio da Assisi in the church of Santa Maria degli Angeli in Assisi

It is appropriate for us to recall the reasons for the silence which lasted for centuries regarding this image, reasons laid out by Saverio Gaeta in his book L'Enigma del Volto di Gesu' (The Enigma of the Face of Jesus) published by Rizzoli in 2010.

The oblivion  into which  the Veronica had fallen for almost five centuries was brought to an end by the exhibit "Romei e Giubilei: il pellegrinaggio medievale a Roma 350-1350" (Pilgrims to Rome and Jubilees: the medieval pilgrimage to Rome 350 to 1350) held at the Palazzo Venezia in Rome just prior to the opening of the Jubilee of the year 2000.  Central to the exhibit were documents and objects coming primarily from foreign museums, which testified to the large numbers of pilgrims which came to Rome to venerate the Veronica, even prior to the proclamation of the first Jubilee in the year 1300.  By a singular coincidence the important exposition took place less than five months time following the international news reporting on the studies of Fr. Heinrich Pfeiffer regarding the possible identification of the Holy Face with the Veronica.

As mentioned above, the research for Veronica Route has attracted the interest and involvement of a number of people.  Among these, according to Zardoni, are an englishwoman who has documented a number of images of medieval pilgrimages, other persons from Finland who have sent photos of gold rings carrying the symbol of the Veronica  and functioned as signs which rich pilgrims brought back to their country  to demonstrate their penitential trip to Rome.  Also a number of students have used part of their own free time to search out reproductions of the Veronica, the legendary sudarium upon which was impressed the face of Jesus.

This research will make a contribution to documenting and supporting the discussion which has been underway for some time on the Christian roots of Europe. The gathering together of these images will permit above all the verification of the correspondence between them and the Holy Face of Manoppello itself.

For Raffaella Zardoni the Year of Faith represents an occasion to make known the Veil of Manoppello, defined as the "Rediscovered Face", in the historic context of the Holy Years and of the pilgrimages to Rome. "The Rediscovered Face" will also be the title of the exhibit being prepared for Rimini in August, 2013.

Collaborating in this project are a number of experts from various disciplines, among whom are Emanuele Colombo, history of Church art; Giovanna Parravicini, researcher from the Fondazione Russia Cristiana, Paolo Martinetti, OFM, Cap, from the Pontifical University Antonianum in Rome; Paul Badde, journalist and historian; Daniele Gomarasca, college dean, Silvana Tassetto, professor of art history, Cristina Terzaghi, history of contemporary art at Universita Roma Tre.

Also by means of this article we intend to encourage the opportunity to participate in this research without borders, which seems to be taking its cue from the prophetic words written by John Paul II for the third millenium in his apostolic letter "Novo Millennio Ineunte" by means of which at the end of the Grand Jubilee of the Year 2000, in recalling the historic foundation of the figure of Christ, the Pope invited the faithful to retake their ordinary path "with their eyes fixed more than ever on the face of the Lord". An invitation which was taken up above all by his successor, Benedict XVI, pilgrim to Manoppello on September 1, 2006.


To collaborate in the research

Anyone who has information about reproductions of the Veronica (Saint Veronica and Holy Face) is invited to send the relevant references to the e-mail address below, after checking to see if the image is already present on the websitehttp://raffandcompany.wordpress.com/category/veronica/. Thanks in advance to all who desire to collaborate in the research by visiting museums, art collections, churches, sacristies, wayside shrines, etc. sending a photo and noting the artist, where possible, as well as the location and the time period of the work to raffaella.zardoni@mac.com

Friday, May 18, 2012

Knowing and Celebrating the Face of the Lord



I am happy to share a very fine article written by the Australian journalist Paul MacLeod reviewing Paul Badde's recently published book "The True Icon". I do so in honor of the upcoming feast this Sunday of the Holy Face celebrated in Manoppello with a joyful, prayerful procession from the Shrine of the Holy Face to the church of San Nicola inside the walls of the historic fortified town. The Holy Face will then remain overnight in




San Nicola before being taken on Monday morning in procession through all the streets of the town and back to the Shrine.

(the first two photos above are by the editor of the blog, the third photo above, and the one below are by Paul Badde)


Two witnesses – and a tiny lock of hair
By Paul MacLeod




A tiny lock of hair is a vital piece of evidence in an investigation of the circumstances of the Resurrection, validating one of the “signs” Pope Benedict XVI spoke of in his address to the world on Easter Sunday.
The Pope quoted the ancient Easter hymn, Victimae Paschali Laudes, which addresses to Mary Magdalen the question: “What did you see?” It has her reply: “the angelic witnesses, the sudarium and the gravecloths.”
These the Pope described as “signs”.


Research by the German historian and journalist Paul Badde in recent years has established the identity of the sudarium and the gravecloths, which still exist, and are indeed signs, just as a sacrament is a physical sign of a spiritual truth.
The German theologian, Klaus Berger, a friend of the Pope, has said of Badde: “Nobody has ever dared to go deeper into the Holy Sepulchre than Paul Badde.”


The term “sudarium” has long been taken to refer to the Shroud of Turin, but it is only one of the “gravecloths” (othonia in Greek, which means “wrappings”). Another is the bloodied cloth preserved at Oviedo, in Spain, and another a headband, kept in Cahors, in southern France.


Badde has now established that the “sudarium” is, in fact, what is known as the Veil of Manoppello, which has an image of Jesus’ face, alive and with His eyes wide open.
The Shroud and the Veil present us with two witnesses to the reality of the Resurrection, the two witnesses required by Jewish law. One shows us Christ dead and the other Christ alive.
The Shroud, of course, bears an image of the whole body of Jesus, bloodied and wounded, majestic in death – a large four-metre long linen sheet, but dim in its outlines and detail. The Veil, on the other hand, is a delicate, transparent piece of expensive material, measuring just 28cm by 17cm, in which the face of Jesus seems to float in light, even to store light

The Shroud came to world attention at the end of the 19th century, when the Italian photographer, Secondo Pia, famously produced a positive image, greatly clarifying the detail and leading to years of study, tests and speculation.


Now the Veil has come to world attention – almost as though these physical signs have been reserved for an unbelieving age.


Badde describes them as “the first pages of the Gospel”, written during the very night of the Resurrection, not by man’s hands though, and written in images rather than words – and what could be more appropriate for our digital age in which we increasingly communicate by images?


None of the written gospels attempt any description of what Jesus looked like. They did not need to, as the Church treasured these cloths from the tomb.
They were found there by Peter and John on the morning of the Resurrection, and, as John relates, one was rolled up by itself, away from the others. This was undoubtedly the Veil, which was a piece of most expensive material, known as byssos, woven from the fibres of sea mussels, and used as a face covering in death for dignitaries such as the High Priest.


In the darkness of the tomb, the image on the Shroud would not have been evident, but if Peter held the Veil up to the earliest light of the day from the entrance, his shock would have been much greater than that of Secondo Pia.


Peter obviously took the cloths back to the city with him, and as articles that had touched a corpse, they were ritually unclean in Jewish law, and would have brought down the wrath of the Jewish authorities on the new community. Hence, Badde suggests, the Apostles kept the doors locked to preserve these treasures. Had they been shown and displayed or discovered in those early days, neither these items would have survived, nor the community of the first followers of Christ around Mary and the Apostles.


As the Church spread, they found their way first to Edessa, then to Constantinople and, during the Crusades, to Europe, and were referred to by a variety of names. But both images are of the same person. Computer technology has now shown that the features of Christ on both are an exact match.


What is of great significance is that the Veil was first publicly displayed in Rome in 1208, and up to that time, icons and paintings of Christ bear a close resemblance to the features on the Veil – even to a tiny lock of hair on the forehead. Why would an artist put that there if he was not copying the Veil?


The Veil, known then as “the Veronica”, was later housed in a pillar of the rebuilt St Peter’s Basilica, but disappeared during the Sack of Rome in 1506, although the broken frame which had held it is still in the treasury of St Peter’s.


This cloth turned up in 1508 in the little town of Manoppello, in the Italian province of Abruzzo, and is now housed in a reliquary above the altar of the Capuchin monastery there, visible to all who visit. The shrine is known as the Volto Santo, or Holy Face.


Meanwhile the Shroud turned up in France and was first publicly displayed in Lirey in 1356. From then on it gained increasing attention, while the Veil faded into obscurity. That is, until 1977 when the Capuchin custodian of the Manoppello shrine, Fr Domenico da Cese, took a large photograph of it to a Eucharistic Congress in nearby Pescara, and the world began to take notice. He died in an accident the next year in Turin, which he had visited to see the Shroud for the first time - and there are now moves for his beatification.

In 1968, Fr Domenico opened the doors of the shrine one morning to find Padre Pio kneeling in prayer before the image – as the very last example of Padre Pio’s power of bilocation. At the time, Padre Pio was gravely ill in his cell in the Capuchin friary at San Giovanni Rotondo, more than 200 kilometres away, and was to die that night.


Pope Benedict XVI visited the Manoppello shrine in 2006 as one of the first acts of his pontificate, and has since increasingly referred to the face of Jesus as the human face of God, culminating in his Urbi et Orbi address this last Easter Sunday.


The new second Eucharistic Prayer of the Mass now asks God to welcome the departed “into the light of Your face”, rather than “presence”, as in the old version, and it has been suggested that the altar cloth and chalice veil at Mass have their origins in the Shroud and the Veil.
In Psalm 24 we read: “Such is the generation of those who seek Him, seek the face of the God of Jacob”. This is the deepest longing of the human heart – to see the face of Him in whose image we are made.

Paul Badde tells the story of his investigation into the link between the Shroud and the Veil in his book “The True Icon”, published by Ignatius Press.

Wednesday, May 16, 2012

Video of Holy Face of Manoppello

On the recent Good Friday the Italian television network RAI transmitted a segment on the Holy Face of Manoppello on their religious program "A Sua Immagine". The segment, which begins at the 27th minute of the program, beautifully captures the mysterious features of the Holy Face and is narrated by Antonio Bini, expert on the Holy Face of Manoppello, editor of the Volto Santo di Manoppello which is published by the Shrine of the Holy Face. The video also includes footage of Fr. Carmine Cucinelli, OFM, Cap., Rector of the Shrine, carrying the monstrance containing the Holy Face, as well as his thoughts on the importance of the Holy Face.

Below is the link to the video

Video Rai.TV - A Sua Immagine - Le ultime ore di Gesù